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Smock Fashion: the Northern Ghanaian identity
  • Music & Arts

Smock Fashion: The Northern Ghanaian Identity

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  • The History and Origins of Smock Fashion
  • Cultural Significance of the Smock
  • How Smocks Are Made
  • Smock Fashion in Modern Ghana
  • The Smock in Global Art and Fashion
  • Preserving and Promoting Smock Fashion

For generations, the traditional Ghanaian smocks, known as Batakari, Bin’gmaa (for men), and Bin’mangli (for women),  have represented  resilience, dignity, and pride. It’s not just about weaving; it’s about preserving a way of life, a connection to the past. 

Originating from the northern regions of Ghana, particularly among the Dagomba, Mamprusi, and Gonja ethnic groups: each pattern, each color, and each stripe; has a meaning and a story. 

And even today, in modern Ghana, you see the smock everywhere. It’s worn at important events, by leaders, and by everyday people who want to show their connection to their heritage. 

Adorning yourself with it is a way of saying, “I am Ghanaian, and I am proud of where I come from.” It’s like carrying a piece of home with you, no matter where you go. The smock isn’t just fashion; it’s a living, breathing part of Ghanaian culture. Let’s delve deeper!

The History and Origins of Smock Fashion

Smock fashion: Dr Kwame Nkrumah and other founding fathers of Ghana in smock

The smock dates back to the 1600s during the reign of Yaa Naa Zanjina, a ruler of Dagbon. It was traditionally worn by warriors and leaders as a symbol of authority and spiritual protection. Many smocks were embedded with charms and amulets believed to provide divine protection in battle.

The smock played a role in Ghana’s political history as well. It was famously worn by Ghana’s founding fathers when they declared independence from the British on March 6, 1957. Today, it remains a symbol of national pride, just like the Kente cloth, which originates from the Ashanti region.

Cultural Significance of the Smock

Smock fashion: A northern man and his son in smock attire

Smock fashion is a strong identifier of Northern Ghanaian heritage. Royals, chiefs, and ordinary citizens all wear it, though the designs and embroidery often indicate a person’s status or role in society. 

The smock is also known by different names among various ethnic groups: Batakari (Asante dialect), Bun-nwↃ or Bana (Mamprusi), Fugu (Mossi), Dansika (Frafra) and Banaa (Kusaal). 

Beyond Ghana, the smock is also worn in parts of Burkina Faso, where it is called Faso Dan Fadi. This shows its cultural influence across West Africa.

How Smocks Are Made

Smock fashion: How smocks are made

The traditional Ghanaian smock is made from handwoven cotton strips, dyed in earthy tones like brown, black, and white. The fabric, called Tani in the Dagbani language, is crafted using a narrow loom. While women traditionally weave the fabric strips, men take on the task of sewing them into smocks. The final outfit is often worn with a hat (Zipligu) or scarf (Bobga), Trousers (Kurugu) and Footwear (Muɣri)

Smocks are often decorated with intricate embroidery, especially around the neckline, adding a unique artistic touch.

Smock Fashion in Modern Ghana

Smock fashion in modern Ghana

Although the smock was traditionally worn during chieftaincy ceremonies and religious rituals, it has now become a popular fashion statement in Ghana and beyond. Many people wear smocks to weddings, festivals, and even formal occasions. Political leaders, musicians, and celebrities have also embraced smock fashion, making it a common sight in modern Ghanaian culture.

Outside Ghana, smocks were once rare in the West, but as Ghanaian films and culture gained global recognition, they became more popular among Black Americans and Caribbeans. Today, people of African descent wear smocks to churches, African festivals, and cultural events worldwide.

The Smock in Global Art and Fashion

Smock in global art and fashion: Purple hibiscus at the Barbican centre in London by Ibrahim Mahama
Smock in global art and fashion: Purple hibiscus at the Barbican centre in London by Ibrahim Mahama

A major international display of smock fashion took place in 2024 when Ghanaian artist Ibrahim Mahama showcased an installation called Purple Hibiscus at the Barbican Centre in London. 

The artwork featured about 100 batakari robes sewn onto handwoven pink and purple fabric, highlighting the importance of human labor and traditional craft. This artistic representation of smock fashion sparked global conversations about African heritage, colonial history, and the significance of cultural preservation.

Preserving and Promoting Smock Fashion

The smock is a representation of Ghanaian history, craftsmanship, and identity. Efforts to preserve smock fashion include government initiatives supporting local textile production and annual festivals celebrating northern traditions.

By embracing smock fashion, Ghanaians continue to honor their rich heritage while sharing it with the world. Whether worn in its traditional form or modern adaptations, the smock remains a timeless piece of Ghana’s cultural legacy.

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