It’s early 2025, and Braabenk, the Kumasi-based creative, is in steady progress. Fresh off the release of his introspective EP Bird’s Eye View and the successful HIGHPY LIVE concert at HiLite Rooftop Bar, Braabenk’s presence spreads through the city’s underground art and music scene.
Between organizing charity events like Feed the Street in Adum and championing upcycling initiatives like Eyie Ntoma, his vision expands past the studio.
Again, Collaborations with key players like Kweku Smoke and Beeztrap KOTM, alongside his Asakaa Boys collective, signal a relentless pursuit to elevate Kumasi’s creative identity.
As his Bird’s Eye View merch moves fast and his music circulates across platforms, Braabenk’s journey feels both urgent and unstoppable.
Musical Growth
Braabenk’s creativity is versatile. It is reflected in his music, fashion, and community initiatives; distinguishing him and setting him apart as a creative.
As an active member of the Asakaa Drill, the release of his Bird’s Eye View EP in September 2024 marked a turning point, offering a raw glimpse into his introspective growth.
With collaborations featuring YGA O’Kenneth, Kweku Smoke, Beeztrap KOTM, and Kwaku DMC, the project radiates an authentic, refined energy that continues to resonate with fans.
The Bird’s Eye View: Music, Fashion, and Consciousness
Braabenk’s Bird’s Eye View merch line, featuring high-quality 100% cotton T-shirts with 210 GSM, symbolizes his journey toward self-awareness and growth.
As he put it, Braabenk Bird’s Eye View is about embracing one’s strengths and weaknesses, acknowledging mistakes, and holding oneself accountable. The merch release complements the EP’s introspective theme, creating a cohesive experience for fans eager to connect with his message.
Recently, BRVYS partnered with Trash of Fame and PRJCT Kumasi for “Eyie Ntoma“, an upcycling and recycling pop-up event held on March 23rd, 2025. Merging fashion, sustainability, and culture, the event featured live tailoring, styling consultations, thrift pop-ups, screen printing, DJ sets, and conversations about sustainable fashion.
Meanwhile, his Feed the Street initiative, launched in February 2025 at Adum, Kumasi, reflects his dedication to giving back.
Collaborative Ventures and Expanding Influence
Braabenk’s journey is not confined to solo projects. Aside from his explosive single Gagging featuring Beeztrap KOTM to his collaborations with artists like Kweku Smoke, he continues to experiment and push creative boundaries.
The HIGHPY LIVE concert, held on February 28th, 2025, showcased his ability to curate memorable experiences. Supported by artists like YGA O’Kenneth, Reggie, Kwaku DMC, and the Black Shade Band, the event was a celebration of Asakaa and hip-hop culture, leaving attendees yearning for more.
The future looks promising for Braabenk. To him, creativity is limitless. With his ambitious drive and expanding network of collaborators, he’s well on his way to becoming a formidable force in Ghana’s creative landscape.
